Here's KC101's playlist - I heard them play "Somebody Told Me" during rush hour last week. The Middle Jimmy Eat World - "The Middle" at 3:12:32 PM Peter Murphy - "Cuts You Up" at 3:26:23 PM ![]() The Killers - "Somebody Told Me" at 3:32:29 PM Soundgarden - "Black Hole Sun" at 3:35:52 PM Pixies - "Here Comes Your Man" at 3:57:22 PM Red Hot Chili Peppers - "The Zephyr Song" at 4:12:45 PMĭepeche Mode - "People Are People" at 4:05:53 PMĭashboard Confessional - "Vindicated" at 4:02:31 PMĪfrocelt Soundsystem - "When Your Falling" at 3:58:08 PM The type of station nabisco mentons doesn't exist and the 'adult alternative' station is in the midst of changing formats a bit towards the 'classic alternative' phenomenon here is the bizarre mix they just played:Ĭlash - "Should I Stay Or Should I Go" at 4:30:33 PM Here are the 'rock songs' from the playlist of the top 40 station I grew up on which has always been a bit behind the times:Ĩ Three Days Grace (I Hate) Everything About You (is this an Ugly Kid joe cover?) No sign of the bands at the top of this thread During the second half of Ferdinand’s set, all four Scots took sticks to Paul Thomson’s drum kit for “Outsiders,” but the highlight was unquestionably “Lucid Dreams,” a newly minted rave-rock classic that outtros via 10 minutes of electro-instrumental dance-floor ecstasy.A Brit viewpoint, a while back Maura from pointed out this rubbish Philly modern rock station The foursome from Glasgow, Scotland, stayed rakishly casual under even the most frenzied circumstances, as singer Alex Kapranos preened atop a head-high speaker stack and pulled the crowd into “Do You Want To” and “This Fire.” Their blue-neon-grid backdrop was barely more involved than Modest Mouse’s sparse, black stage both bands seemed intent on delivering musical rather than visual thrills. Just prior on the same stage, Franz Ferdinand played a fitting prelude. curfew, encoring with old fave “Paper Thin Walls” and “Bury Me With It” from 2004’s Good News for People Who Love Bad News. Later in the set, “Float On” was a humongous, mosh-pit-swelling sing-along - humongous enough to keep Modest Mouse onstage til the cusp of 11 p.m. ![]() “Fuckin’ sucks, but I did it to myself,” he said without further explanation. ![]() Leading into “Blue Sedan,” Brock told the crowd he was performing with what he believed was a cracked rib. Isaac Brock barked through the band’s catalog, from set-opening “Gravity Rides Everything” and “Education” to a sprawling “King Rat,” with Brock on banjo, and “Lives/Your Life,” a medley-crescendo turned hoedown with upright bass and fiddle. Six musicians rotated through a Guitar Center’s-worth of instruments, whittling their wall of noise into layers of little melodies and familiar that still came off really weird. Semi-locals Modest Mouse - they’re from Issaquah, a former mining town 20 minutes east of Seattle - characterized the indigenous breed of suburban alienation during a 75-minute, festival-closing set at Memorial Stadium. Props to the young music fans of the Pacific Northwest: without enthusiastic teens and 20-somethings braving the dreary conditions, this year’s festival would’ve been a literal washout.īumbershoot in photos: Yeah Yeah Yeahs, Modest Mouse and more. After 36 hours of wet, discouraging weather, Bumbershoot saw its biggest crowds on Monday for final-day headliners Modest Mouse, Franz Ferdinand and Black Eyed Peas.
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